As mentioned in the prompt, we
discussed the parallel of the openings of King Lear and Midsummer: both fathers
cutting off their daughters and not using their power as a father and king for
the greater good. Apparently, Shakespeare really loves to use a problem father
with a great amount of power as a way to move the plot forward, because another
line could be drawn between Egeus and Cymbeline (as well as Innogen and Helena).
I suppose the greatest difference
between the problem of marriage in Cymbeline and the problem of marriage in
Midsummer is that Innogen has already married the man she loves, whereas Helena
simply refuses to marry the man that her father desires her to. Both girls face
incredibly severe consequences as a result of their action, Innogen facing the
banishment of her husband and Helena facing threats of death with the only
other options being giving in and marrying or becoming a nun for the rest of
her life.
“As
she is mine, I may dispose of her:
Which
shall be either to this gentleman
Or
to her death, according to our law
Immediately
provided in that case.” (1.1.46-49)
Both girls pose a valid argument
against their father, but both are incredibly stubborn and refuse to hear any
side of the conflict that doesn’t support their own. The plots of the plays are
quite different, but in the end, both parents recognize their faults, although
Cymbeline’s recognition is slightly more convoluted, as he nearly kills his
daughter in the process.
“So
through Lud’s-Town march,
And
in the temple of great Jupiter
Our
peace we’ll ratify; seal it with feasts.
Set
on there! Never was a war did cease
Ere
bloody hands were wash’d with such a peace.” (5.5.470-474)
Through acts on acts of
convoluted yet hilarious twists and turns, Helena and Innogen both end up
happily. Their fathers, although stubborn, see the errors of their ways and
realize that what is best for them, and often for most others, is the happiness
of their daughters before the happiness of themselves.
--posted on behalf of Skylar
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