For example, the major conflict in Cymbeline begins when Imogen falls asleep. The lines
“Sleep hath seize me wholly,
To your protection I comment me, gods.
From fairies and the tempters of the night
Guard me” (2.II.9-13)
are strikingly similar to anything you would expect out of Midsummer.
Of course, Imogen does fall asleep and
that is when the trickery occurs. Similar to the fairies in Midsummer Night’s Dream, Iachimo commits
this crime without realizing just how severe the repercussions will be. A lover’s quarrel ensues, much in the same way
that it happens in Midsummer, and is
only after Imogen and Posthumous both sleep that anything can be resolved. When
Posthumous is visited by ancestors and, conveniently, a god he is enlightened
in much the same way as the lovers of Midsummer
are enlightened by the magical nectar that returns them to their right minds.
There is such a dreamlike quality to the resolution of Cymbeline that the lines
“Are you sure that we are awake? It seems to me
That yet we sleep, we dream” (Midsummer 4.I.201-202)
seem like an appropriate ending to the play. There is no
denying the dreamlike qualities that tie these two plays together.
--Posted on behalf of Becca Williams
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