While I was not particularly fond of the play Cat on a Hot Tin Roof, I did enjoy the underlying themes, backstory and the overall connection to King Lear by
William Shakespeare. The most profound connection that I saw between
the two
plays, was that of Big Daddy and King Lear. Both men seemed to have
favorites when it came to their children, however they seemed to have
the most trouble with the child that was their favorite. For King Lear
his favorite daughter Cordelia gave him trouble
as she would not profess her love to him before everyone to get her
piece of his kingdom. This thoroughly upset Lear and he banished her and
no longer called her his daughter. For Big Daddy his son Brick was
clearly the favorite when it came down to it. However,
Brick was an alcoholic and was thought to have had relations with
another man. While the other children were discussed in both the plays,
Gooper in COAHTR and Regan and Goneril in KL, the men seemed most
distraught when it came to their other children Cordelia
and Brick.
A huge theme in the play was mendacity which means
untruthfulness. Big Daddy stressed the importance of being truthful to
Brick and how everything revolves around it. This was ironic as his
entire family was being untruthful to him about his health
and Gooper through this all was trying to swoop in to gain control of
the family business for when his father died. Also, this theme is shown
in King Lear as Goneril and Regan lied to their father about how
much they loved him just to get bits of his
land and kingdom for themselves. The girls and Gooper had ulterior
motives when it came down to it and were merely looking out for
themselves.
Although I did not particularly enjoy the play, I thought
that it was cast very well and that the scene was wonderful. I also
enjoyed seeing the many parallels between Cat on a Hot Tin Roof by Tennessee Williams and King Lear by William
Shakespeare.
--posted on behalf of Avery Postema
Avery, sorry I seem to have read your post without commenting on it. I agree that both Daddies are not great fathers, and that this commonality makes for a strong comparison between the plays. What grabs me most, though, is the discomfort you felt watching the Williams play. Seth reports something similar, and I wonder whether it's a feature of the production, or if there is something fundamentally ugly and discomfitting at work in family tragedy. What do you think?
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